Christie’s cancels three auctions as New York closes down

Jailed jeweller’s works yield an MF Husain record with Saffronart

Sotheby’s seemingly odd decision to go ahead with its annual New York auction of South Asian art yesterday (March 16) after Christie’s cancelled its sales was more than vindicated by highly successful results. Good prices were achieved for the best works, including four world records, one by Nasreen Mohamedi, a respected abstract artist.

Starting not long after trading on Wall Street was paused because of dramatic falls in stock prices, the auction totalled $4.82m (including buyers’ premium). Only seven of the 79 works failed to find a buyer. That was good news for Sotheby’s, which has had some poor South Asian art auctions including one in Mumbai last November when important lots failed to sell.

Gaitonde Lot 12 (Front)The highest price yesterday was achieved for a stylish 50 x 33in untitled oil on canvas by V.S.Gaitonde (left) with a winning $1.5m bid that matched the top estimate. Gaitonde was a member of the prominent group of modernist Progressives that began in the mid-20th century.

There was an unusually large clutch of four or five bidders (on the phone) for the abstract work, which went to an anonymous buyer for $1.82m including the premium.

Nasreen Lot 22 (Front)The same collector (the paddle number was the same) bought a 47 x 35in oil on canvas board by Nasreen Mohamedi (left) at a record auction price of $437,500 including the premium ($350,000 hammer).

This beat the artist’s previous record of $363,636 that was achieved at a Saffronart evening sale in September 2016.

Mohamedi, who rarely makes auction headlines, was born in Karachi in 1937 and lived in India till her death in 1990. She shared a studio with Gaitonde and their two works in the auction, both painted in 1963,  have an intriguing similar sensibility.

Best known for her line drawings, she produced only a relatively few canvas paintings. Arguably, seeing her’s and Gaitonde’s paintings together, she is under-valued. “It’s specially significant that Nasreen should make a record sale at a time like this,” said one potential bidder.

Zarina Lot 1 (Front)The auction began unusually strongly with a 26 x 24in wood collage on board (right) by Zarina (Hashmi), an 83-year old Indian artist living in the US who is known professionally by her first name. The work fetched a hammer price of $70,000, nearly three times the top estimate – $87,500 including buyer’s premium.

Sotheby’s probably went ahead, despite the escalating coronavirus gloom, because preparations were too far advanced to be halted. Bidders were making absentee offers over the weekend, which could have made it hard to halt the sale. Reserve prices were lowered, according to market sources, and a major effort was made to attract bidders.

There were only a few people in the auction room, but there was strong bidding by telephone and on line, attracted by keen prices and strong provenance of previous owners and galleries.

When I asked Hugo Weihe, who used to head Christie’s South Asia sales and has also been ceo of Saffronart, the market leader, why the results were so good at a time of a global melt-down, he replied “It was mostly a function of the quality of the material, the market remains smart that way”.

“It was a good market – there’s plenty of money out there,” said Conor Macklin, who runs the India-linked Grosvenor Gallery in London’s Mayfair.

Dinesh Vazirani, co-founder of Saffronart, took it a stage further and wondered “if people are looking to acquire long-term assets at a time of such uncertainty”.

AmritaSG Boys LemonsChristie’s South Asian auctions were scheduled for tomorrow (March 18), so it had more time than Sotheby’s to pull down the shutters, in line with the auction house’s other New York sales.

There were to be three auctions, two of them offering about 150 works collected since the mid-1990s by Kito and Jane de Boer.

Now based in Dubai and London, the de Boers started collecting when Kito de Boer worked for McKinsey in Delhi. Advertised as Christie’s “largest and most important single-owner sale” of South Asian art for several years, the auctions will be revived when the virus crisis is over.

Also running last weekend was a smaller on line auction by Dubai-based Artiana, which sold 36 out of 40 works for a total of $1.47m, below the low estimate of $1.70m.

More headlines were generated earlier by Saffronart auctions of art and other luxury items, including a Rolls-Royce Ghost saloon, owned by Nirav Modi, a billionaire diamond jeweller and trader. Modi is charged in India for alleged money laundering and corruption, and is now in London’s Wandsworth prison awaiting extradition proceedings.

Ordered by India’s Enforcement Directorate, the auctions (on line on March 3-4 and live in Mumbai on March 5) yielded Rs60 crore ($8.55m) including the premium, with all the 112 lots being sold.

Husain Battle Ganga-Jamuna

Modi was known in the art world for having sound knowledge and good taste when he was considering buying works. That was demonstrated when a world record of Rs13.44 crore ($1.92m) including the premium (Rs15.68 crore, $2.24m hammer) was achieved in the Saffronart auction for a work by M.F.Husain, a leading member of the Progressives group.

This was a striking 74 x 108in oil on canvas diptych, Battle of Ganga and Jamuna: Mahabharata 12, (above) with a strong provenance – Modi bought it in a Christie’s auction in 2008 for $1.7m, where it was being sold by Masanori Fukuoka, a prominent collector who owns the Glenbarra Museum in Japan.

The top price of Rs15.68 crore ($2.24m) including the premium, was paid for Boys with Lemons, a 36 x 22in oil on canvas (above) by Amrita Sher-Gil that Modi acquired from the artist’s family. Both the Husain and Sher-Gil are thought to have been bought by a leading collector for her Delhi art museums.

The Rolls-Royce sold for twice its estimate at Rs1.68 crore ($240,000). Last May, over $8m was raised for India’s tax revenue department when Saffronart auctioned other top works owned by Modi, achieving prices up to $3.7m.

There’s no chance of Sotheby’s sort of New York success , or Saffronart’s with Modi’s collection, being repeated till the coronavirus crisis eases. The results show however that good works new to the auction circuit and with sound provenance attract collectors and significant prices.

Posted by: John Elliott | February 25, 2020

Trump and Modi revel in mutual praise and massive adoring crowds

Politics and personal rapport deflect trade row and lack of initiatives 

Thirteen dead in Delhi clashes over citizenship legislation

President Trump’s state visit to India was always going to be a raging success, and so it turned out in terms of the mutual praise bordering on adoration exchanged between him and prime minister Narendra Modi, strengthening the personal bonds of two leaders who have much in common.

Both politicians gained in terms of voter appeal and Trump said it was a “great fantastic two days”. On best behaviour and mostly avoiding controversy,  he praised Modi as “a man I am proud to call my true friend”, though he was “a very tough negotiator”. India would always hold a very special place in our hearts”.

But there was relatively little of substance affecting the relationship between the US and India, and the consequences of Modi’s brand of Hindu nationalism led to media coverage of the visit being disrupted by violent clashes between police and rival groups of rioters linked to protests over new citizenship legislation.

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Melania and Donald Trump with Narendra Modi in Delhi

Thirteen people were killed, vehicles and buildings burned, and teargas used in north-east Delhi, just 12kms from where the state visit was taking place on February 25. The protests over what is seen as anti-Muslim citizenship legislation have run for over two months, but this level of violence between rival groups was new. It stemmed from a BJP local politician threatening over the weekend that his Hindu followers would clear the streets of Muslim protestors if the police did not do so first.

The main announcement during the visit was that India is buying $3bn helicopters for its army and navy. This had however been under negotiation for some time and was specially packaged as the lead item.

There was no apparent progress on a long-awaited trade pact, and rumours of possible deals on nuclear power stations and a counter-terrorism centre did not materialise.

trump-stadium-ahd-696x457The highlight of the visit was an astonishing rally (left) on February 24 of over 100,000 cheering supporters of Modi’s Bharatiya Janata Party, many sporting white caps with the words “Namaste Trump”. The crowds were mostly bussed into what is billed as the world’s biggest cricket stadium in Ahmedabad, the main city of Modi’s home state of Gujarat, to greet Trump and his wife Melanie a few hours after they arrived in India.

The massive crowd’s adulation of Modi as well as Trump smacked more of events organised by leaders of totalitarian states than a democracy. The Indian prime minister however revels in such occasions, as did Trump who proudly said later it was the “greatest greeting ever given to any leader”.

Both men gained in terms of voter-oriented political prestige from that event and the whole visit. There are 4m-plus people of Indian origin in the US, who are potential voters for Trump in November’s presidential election. For Modi, they form a significant and influential diaspora. More than 800,000 are from Gujarat and are instinctively his overseas cheerleaders.

Modi is also proudly credited by many voters in India for having raised the country’s profile on the world stage, so the Trump visit has also enhanced that reputation.

An artist makes graffiti showing a picture of USA President Donald Trump

A welcoming wall poster in Ahmedabad

By normal standards for state visits however, this was brief, billed as “two days” but actually just 36 hours – an overnighter in less formal parlance. Trump was invited to be the chief guest at India’s Republic Day parade last month but did not accept, mainly it is thought because of problems with a proposed trade deal.

It was Trump’s first visit since he became president, though he and Modi have met at least seven times, most flamboyantly in Houston last September at a “Howdy Modi” rally staged by the diaspora with up to 50,000 Indian Americans. Modi took Trump along as the co-star, setting the stage for the much larger event in Ahmedabad.

The only formal agreements this week were for co-operation on mental health and safety and an oil industry issue. More important were talks covered international affairs, terrorism, security, defence, and energy technology that will have laid down plans for development of initiatives.

They included setting up working groups on curbing narcotics trafficking and reinvigorating homeland security, but nothing was said publicly to indicate that Trump had pressed Modi on issues of religious freedom – which Modi said somewhat implausibly he supported and encouraged.

On international affairs, Trump said that the two leaders had agreed on “revitalising the Quad initiative”, which includes Japan and Australia. This link-up is designed to contain China’s ambitions in the Indian Ocean and South China Sea. It has made little progress in recent years, although a meeting was held at ministerial level last September.

Trump also made a point of saying more than once that he was close to Imran Khan, Pakistan’s prime minister, as well as Modi, offering in a press conference towards the end of the visit to mediate – something he knows India rejects. That was the nearest he got to a controversial remark during the visit.

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NDTV evening news screen split between riot fires in north-east Delhi and the Trumps arriving for a banquet in the presidential palace

It is rare for defence deals like the helicopter orders to be included in such a visit – the last time it happened was when Modi visited Paris in April 2015. He set up a deal for Dassault’s Mirage fighters that became highly controversial and haunted him for years with allegations of corruption.

Trump alluded to trade problems several times during the visit, linking that with remarks about Modi being “tough”. Before he arrived, he did his regular trick of putting his hosts on the wrong foot with negative comments. “We’re not treated very well by India,” he said last week, though he added in the same breath “I happen to like prime minister Modi a lot”.

Later he grumbled that India had been “hitting us hard” on trade with tariffs that are “the highest in the world”. There would be a “tremendous trade deal”, he said, but maybe not before the November election.

There are tensions over trade in various areas including agriculture, medical devices, digital trade and new tariffs stemming from the Modi government’s increasingly protectionist policies. Modi’s Made in India campaign also clashes with Trump’s similar approach for the US.

Earlier this month, even though the Trump visit was imminent, the US removed India from the list of developing countries that benefit from US tariff preferences on countervailing duties because, as a G-20 member, it was no longer a “developing country.” Last March, the US raised tariffs on steel and aluminium and suspended India’s tariff free access for some $5.6 billion in exports under a 1970s-era Generalized System of Preferences

There are other points of tension between the two countries whose relations, overall, are more troubled than they have been for some years.

Modi referred to their “global strategic partnership”, carefully avoiding the word allies that the US would like but India refuses to acknowledge.

Trump and Modi rose above such details, but that was personal rapport, not lasting co-operation.

Posted by: John Elliott | February 11, 2020

Modi’s BJP crushed in Delhi election again

Victory for AAP people’s party and Kejriwal, its leader

Congress wins no seats, again

A diminutive former social activist and anti-corruption campaigner has today confirmed his role as the most successful political opponent of Narendra Modi’s Hindu nationalist government by devastatingly defeating the Bharatiya Janata Party in elections for Delhi’s Capital Territory assembly.

For the second time in five years, Arvind Kejriwal, 51 (below), has led his Aam Aadmi (common man) Party to a resounding victory winning 62 of the 70 assembly seats, down five from the last election, while the BJP went up from three seats to eight, and Congress hit zero for the second election running..

This is happening at a time when Modi’s authoritarian Hindu nationalist government has been facing weeks of often spontaneous mass protests, which have spread out from Delhi across India against citizenship legislation that is seen as being anti-Muslim.

This is a victory for a party that is based neither on religious intolerance nor on dynastic rule – the Gandhi family’s Congress Party has been decimated. Nor is it based on the sort of self-serving caste or linguistic foundations that dominate Indian politics.

Denigrated by many as an upstart that performs no better than long-established parties, the seven year old AAP has impressed voters by making significant improvements in the capital’s government schools and mohalla primary health clinics, and on subsidised water and electricity bills.

Efforts to deal with health-threatening air pollution and congested traffic have had little success, but the mass of voters feel that at least Kejriwal and his ministers have tried. New types of politicians have emerged, typified by Ayushi Marlena, an Oxford scholar, who helped transform government education in Delhi and who has been re-elected today.

This does not mean that voters have deserted Modi. Opinion polls are showing that his popularity remains high, and that voters who reject him and the BJP in state polls would return to him in a general election.

The Delhi result follows BJP defeats in five other state polls since November 2018 – Jharkhand and Maharashtra most recently and Rajasthan, Madhya Pradesh and Chhattisgarh earlier. The Congress Party and its United Progressive Alliance have made gains, despite a lack of top leadership, though not in Delhi where, in 2013, it had ruled for five years and was the dominant party alongside the BJP.

This is bad for Modi’s desired image of infallibility. The BJP’s defeat is even more humiliating (even though its vote share rose 8%) because it has flooded Delhi with election rallies in recent weeks, attempting to swing votes. Modi and his hardline home minister Amit Shah have addressed numerous meetings along with about eleven chief ministers, nearly 70 central government ministers and over 200 MPs.

BJP’s vicious Hinduvta campaign

The party has failed, as it has done elsewhere, in its attempt to win votes by running an often vicious hate campaign that focussed on Hindu nationalism rather than local issues. Kejriwal was even accused of being a “terrorist”, which will not have won many votes.

Plans for going ahead with building a Hindu temple on a controversial site at Ayodhya in Uttar Pradesh were significantly announced on August 5, and Modi also made two key speeches in parliament last week to try to explain the government’s controversial agenda.

Kejriwal seems to share Modi’s Hindu pride, but not his authoritarian nationalism. He has avoided attacking Modi and Shah on recent measures such as ending Kashmir’s special status and introducing the citizenship legislation with a threat of a national citizen’s register. To do so, could have alienated AAP voters who approve of the broad Hindu nationalist agenda.

Kejriwal has grown from being a street-level leader of protests since he founded the AAP in December 2012 after breaking away from what was known as the Hazare anti-corruption movement. A year later, the party won a surprisingly good result, winning 28 of the Delhi assembly 70 seats. Kejriwal formed a minority government, but he did not know how to govern and resigned after 49 chaotic days, having focussed more on staging street level protests than administration.

In February 2015, the AAP won an astonishing victory with 67 of the 70 seats, driving the BJP down to just three and the Congress Party to none. That was a major shock for Modi, coming just eight months after he had been swept to power nationally in the BJP’s landslide general election.

Modi blocked Kejriwal

Stung by the defeat, Modi defied the electoral choice of Delhi voters and set out to make Kejriwal’s administration non-functional by ordering the capital’s loyalist lieutenant governor to block legislative and administrative initiatives and appointments.

This was reversed in July 2018 by the Supreme Court, which ruled that the national government should not interfere with, or attempt to undermine, Kejriwal’s administration. It said that the central government was responsible, through the lieutenant governor as it had always been, for land, law and order and the police, but the Delhi government had the power in all other areas. Since then the AAP has less interference in its initiatives.

Kejriwal has had ambitions to turn the AAP into a national party, filling the anti-BJP gap that the Congress has vacated. He has however failed to establish the party elsewhere in either state or national elections, establishing only a minor role in Punjab. It currently has just one MP in the Lok Sabha and three in the Rajya Sabha.

The question now is whether Kejriwal focuses on running Delhi or revives his national ambitions. India lacks a viable national alternative to the BJP, with the Congress leadership failing to perform and other non-BJP chief ministers following their own interests.

It must be tempting for Kejriwal to try to go national, but that should not be at the expense of being an effective chief minister of the Capital Territory.

Posted by: John Elliott | February 7, 2020

India Art Fair boosts the market after disappointing auctions

Auctions planned of works from three private collections

Jailed jeweller Nirav Modi’s art, watches and a Rolls Royce for sale

Sudhir Patwardhan retrospective displays life in Mumbai 

Indian modern art has received a boost in the last few weeks from Delhi’s successful India Art Fair, which was accompanied by auction previews including one by Christie’s with razor-blade etched works of Delhi-based Rameshwar Broota, and Mumbai’s annual Gallery Weekend that included an impressive exhibition of life in the city painted by a leading artist, Sudhir Patwardhan.

Neither Patwardhan nor Broota, both of whom are still actively painting,  get the attention they deserve in the upper reaches of India’s art auctions, where buyers mostly seek the safety of famous names such as Tyeb Mehta, M.F.Husain and S.Raza, now deceased.

Broota _MG_6315

Untitled, a 80in x 120in oil on canvas scraped with a blade by Rameshwar Broota – ‘a satire on fashion and commercialism’ – on the Vadehra Art Gallery stand at the art fair

This will be tested in the coming weeks when, after dismal results at three South Asian modern art auctions in December, Christie’s, Saffronart and Pundole all have sales of single collections.

Two involve works from well-known private collectors. One (including Broota works) belongs to Dubai and London-based Kito and Jane de Boer and will be at Christie’s in New York, while works from Masanori Fukuoka’s Glenbarra Art Museum in Japan will be at Pundole in Mumbai.

The other auction, next month in Mumbai, is Saffronart’s second sale of impressive works owned by Nirav Modi, a former international jeweller now languishing in London’s Wandsworth prison. He is facing extradition proceedings, charged in India with money laundering and corruption.

The India Art Fair (IAF) was hailed as a success last weekend, run for the first time by London-based Angus Montgomery Arts, controlled by Sandy Angus, which boosted its minority stake when it bought out Basel’s MCH group last September.

04_.breath_Vipeksha_50.8x50.8cms_pencil on paper_2019

Vipeksha Gupta’s Breath, 50xmx50cm pencil on paper, (set against a large white background)

International and Indian art galleries of all sizes reported good sales and growing domestic and international interest. New York-based David Zwirner, returning for a third year, said it was the best so far.

The Aicon, also from New York, said it had a “great response across all of our price points and artist seniorities”.

The Akar Prakar Gallery of Kolkata and Delhi said European and American visitors purchased artworks within $30,000 range while high value works were bought by local Indian collectors.

Sales were especially strong on the first day, according to many galleries.

A young Delhi-based artist, Vipeksha Gupta, had a stunning success when all her 19 works (above) on the Gallery Blueprint12 stand sold within three minutes of the start of the private viewing. With prices ranging from Rs 95,000 to Rs380,000 for a set of six, the de Boers were among the buyers.

Gupta, who has been helped by Broota at Delhi’s Triveni School of Art,  says her “contemplative drawings” are based on “the exploration of my own breath” with each work being “indented 10,000 times with circular cells”.

Italian IMG_8506

The number of galleries with booths was roughly the same as last year at around 70, but they were more focussed on specific artists with less repetition of India’s old favourites such as the Progressives.

India’s politics and authoritarian rule under Narendra Modi’s Hindu nationalist government however intruded when police arrived to check allegations that an interactive work displaying the “strength of Indian women” (above) was opposing controversial citizenship law amendments. The work, on the Italian Embassy Cultural Centre stand, was withdrawn.

The Sudhir Patwardhan retrospective exhibition, Walking Through Soul City, is open in Mumbai’s National Gallery of Modern Art till February 12. Arranged with the Guild Art Gallery, it gives an overwhelming sense of Mumbai life as it is experienced by the vast mass of people in their homes, at work, and travelling and struggling in crowded streets.

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Nostalgia by Sudhir Patwardhan, 2010

Painted over five decades, many of the works are of Thane where Patwardhan lived for 30 years in what became the suburbs with shantytowns and open countryside soon to be devoured by satellite cities.

Maybe reflecting his training as a radiologist, Patwardhan stands back from his subjects and sometimes divides a painting with a sharp line that gives two views of the same scene. “I distance myself,” he told me, “not projecting myself or my emotion”.

A Normal Day 2019IMG_8157

A Normal Day by Sudhir Patwardhan, 2019

The NGMA was one of about 30 galleries with special shows that began during Mumbai’s annual Art Weekend in early January.

The Pundole Gallery had a striking show of Jogen Chowdhury’s figurative works from Fukuoka’s Glenbarra museum (bottom picture). This closes on February 7 and moves to Delhi’s Bikaner House on February 20.

Rameshwar Broota talked at a pre-auction reception in Delhi with Kito and Jane de Boer, who are two of his biggest collectors.

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The Last Chapter, a 70inx50in scraped oil on canvas  by Rameshwar Broota, from the de Boer collection – Christie’s auction estimate $250,000-350,000

Kito de Boer says they were “blown away” when they saw Broota’s large works of black and grey, or dark brown, shades, along with figurative and other studies. They found it was “not possible to turn away” from “works of such originality, purity and passion”.

They discovered the artist when they lived in Delhi in the mid-late 1990s and bought a vast triptych Traces of Man that hangs in their London home and is not for sale.

Broota says that a worn razor blade is essential for many of his paintings. He applies six or seven layers of paint, often thick black, and then, when it has dried, scratches with the blade to create the subject.

The de Boers are compulsive buyers of art and have a collection totalling about 1,000 works ,of which only about 250 are displayed in their London and Dubai homes – ranging from the Broota triptych to all the main Progressives, dating from the middle of the 20th century to more recent works by Atul Dodiya, Anish Kapoor, Chittaprosad Bhattacharya, Chittrovanu Mazumdar and Hema Upadhyay.

The rest are in store, which is why they are beginning to sell. “It seems wrong to keep them hidden,” they say. About 150 stored works will be offered at a single-owner Christie’s auctionin New York in mid March and in a parallel on-line sale. The collection was the subject of a book published last year.

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Three Women, 56x71cm ink on paper in the Pundole Mumbai exhibition of works (moving soon to Delhi) by Jogen Chowdhury  from the Glenbarra museum

Saffronart held its first auction of Nirav Modi’s extensive collection in May last year when over $8m was raised for India’s tax revenue department.

The coming February 27 live auction is being held for the government’s Enforcement Directorate. It includes art works estimated up to $2.6m each by Amrita Sher-Gil, M.F.Husain, and V.S.Gaitonde along with watches that include a Jaegar-LeCoultre estimated at up to $100,000 and a 2010 Rolls Royce Ghost car with a $135,000 top tag.

All three single-owner auctions are significant because they involve works that are new to market, and thus have the distinction of being acquired by committed collectors from varied backgrounds.

The contest between the three auction houses is to attract the best buyers, who will take the bidding to high levels.

The market, and interest in modern Indian art, would also benefit from buyers taking more notice of artists like Patwardhan and Broota instead of the repetitive million-dollar-plus focus on the worthy Progressives.

Posted by: John Elliott | January 29, 2020

India’s mega lit fest risks losing its iconic Jaipur location

Passionate attacks on Modi government spark funding warning

Lit fests’ financial sponsors may worry about upsetting government

The internationally famous Jaipur Literature Festival, which has become the largest event of its kind in the world, may have to abandon its stylish pitch of the past 15 years in the Pink City’s Diggi Palace and search for a new location, maybe even in another city.

Always controversial because of its independence, the festival hit the headlines last weekend when its open celebration of books, ideas and the freedom of speech and debate led to frequent outspoken condemnation of India’s Narendra Modi government.

JLF 3 Puppets IMG_8313 copyMost lit fests are short of funds from sponsors, which recently caused two to be cancelled in Mumbai and Chennai. They might now find their problems increasing if companies want to avoid annoying what is a hyper-sensitive administration, as Swapan Dasgupta, a pro-Modi columnist and Bharatiya Janata Party MP warned at the weekend. 

The message that the government was creating conflict and divisions in society while brutally quelling the voices of opposition went out from the crowds of approaching 100,000 a day to Modi and his confrontational henchman, the home minister Amit Shah.

Albeit in only a small number of the total 220 sessions, they were told they should curb their anti Muslim policies and, specifically, cancel new constitutional amendments on citizenship as well as plans for a new National Register of Citizens.

There were several speakers who represented right wing ideology including Makarand Paranjape, a writer, poet and academic who had five sessions. He has written extensively on Hinduism and is known as a supporter of the lit fest. Also speaking was Hindol Sengupta, who recently wrote a biography of Sardar Patel and, like the others, is promoting a Hinduvta view of history. They were well received but not with the enthusiasm that greeted the critics.

The criticisms will not have pleased Modi and Shah who condemn opponents as “anti National” and “pro Pakistan”, but it should have pleased the Rajasthan state government that is run by the Congress Party. It is odd therefore that the government has backed a police demand that the lit fest must move because of traffic congestion, which has always seemed manageable. There have however also been concerns about safety inside the event if there was an emergency.

Diggi Palace is a charmingly faded pile built in the 1860s as a grand town house or haveli for a rural Rajasthan ruler. It became a small heritage hotel in 1991. The lit fest began there in 2006 as part of a broader arts festival and then started on its own in 2008, with just a few hundred people attending.

Over the years, the family that owns the palace, headed by Rampratap Diggi, has enlarged the areas available, eased congestion blockages, and found space for food and crafts stalls, while the organisers have restricted the total numbers attending. Last weekend all the venues were overflowing and circulation areas were packed with the young taking selfies.

Sanjoy-Roy_Fotor1The festival needs a stylish location to maintain its image and attraction, so the organisers have rejected a soulless government convention centre 20kms away. “If the city doesn’t host it, we can look elsewhere. But if it is to be held in Jaipur, it has to be in a place which has an atmosphere that represents the city’s traditional architecture and its character,” said Sanjoy Roy (left), managing director of Teamwork Arts and the festival producer.

Firmly anchored in local Rajasthani culture and Mughal traditions, the festival began with massive puppets parading (above) through the central location on January 23, and it then spread out over five days to include writings from across India and the world.

AI, Brexit and Jesus

The opening session had Marcus du Sautoy, a leading mathematics and science academic and author, talking about how books could maybe one day be written by artificial intelligence. Fintan O’Toole, an Irish author and columnist, suggested that Brexit had given the English nationalism “narrative” that it had lacked, illustrated by prime minister Boris Johnson’s dream returning to the glories of a “Global Britain”.

Tom Holland, an author of prize-winning books on ancient and medieval history, described Jesus as a “shabby dreary figure”, whose victory over Roman power had come from the misery of his crucifixion. Holland somehow worked his way round to describing cricket as “an Indian sport perversely given to the English by God”.

Lemn Sissay JLFDay3_socialglimpses-min copy 2Lemn Sissay (left), a poet and author, read passionately from the best selling story of his life, My Name is Why, asking why, after being shipped from Ethiopia to the UK, he was placed with a foster family and named Norman Greenwood after the name of the foster parent.

Then there was Manoranjan Byapari (below), a Dalit (bottom of the caste system) from Bangladesh who is now a popular writer and speaker, showing how an event like this can discover and encourage new talent, transforming lives.

Byapari grew up in Indian refugee camps in West Bengal, joined Naxalite (Maoist) rebels in his early 20s and was imprisoned, later becoming a rickshaw puller in Kolkata (Calcutta). While in jail, he learned to read and write and in 1981 began to produce stories of rickshaw pullers that were translated into English. He has now had ten novels and over 50 short stories published.

I was there in conversation with Benjamin Dix on his dramatic graphic novel Vanni about the plight of Sri Lanka’s Tamils in the early 2000’s with a tsunami and war with the island’s army

Namita Gokhale, co-director of the festival who encouraged Byapari, has written a fictionalised version of all that happens in Jaipur Journals that was launched last weekend. Her characters (some, she says, identifiable) range from a gay literary icon to a burglar with a passion for poetry, and an elderly lady who carries her unpublished novel around in a canvas bag.

JLF Byapari IMG_8321 copyThe organisers have usually managed to avoid extreme confrontational views that could trigger demonstrations, balancing political and other opinions, though sometimes that has not worked.

In 2012, the author Salman Rushdie was prevented from speaking at the festival, (and being interviewed by video link) because of opposition from Muslim organisations, which included threats of extreme violence both inside and outside the venue.

This time there was no violence, just determined and excited crowd-generated opposition to Modi and Shah, demonstrating the views of the young as well as liberals.

Roy set the tone when he said India’s current “narrative of hatred” could be countered through art and literature, adding: “We cannot afford to be silent any more. We must speak up with one voice for the common cause of humanity”.

The government’s citizenship and registration measures require people to produce papers and fill in forms to prove their right to be called an Indian, something many could not do because of the country’s notorious lack of official records. This has been opposed by masses of protests across India for six weeks, spearheaded by Muslims and students (as I reported here).

A call for civil disobedience 

“If anyone comes to your house and brings papers, tear them up,” Margaret Alva, a veteran Congress Party politician, said to loud shouts and cheers on January 25 (below). This would be “civil disobedience” she added, raising the tempo by linking her call to India’s campaign for independence under the leadership of Mahatma Gandhi.

JLF Margaret Alva IMG_8362 copy

A few minutes earlier, there had been a raucous reception for Madhav Khosla, a constitutional academic, who said that the citizenship amendment was “completely unconstitutional” because it discriminated between religions.

Speakers on the anti-Modi/Shah theme were led by Shashi Tharoor, a Congress MP and former United Nations official, Pavan Varma, a former diplomat turned politician, and Rajdeep Sardesai, a prominent tv anchor and author of two books on Modi’s election victories.

Tharoor in particular appeared on stage so often that Swapan Dasgupta, a regular speaker at the lit fest (he interviewed Tom Holland last weekend) tweeted that the festival had “crossed the limits” and “the neutrality of the event is comprised”.

Problems for lit fests

In a newspaper column on January 26 that could indicate more problems for lit fests in general when they are short of funds, Dasgupta (below) wrote, “the inclination of business sponsors to take a step back could also be the result of many festivals becoming echo chambers of Left-liberal activism, aimed at pandering to just one political ecosystem….the diversity of Indian intellectual opinion isn’t always fully reflected in the programmes….This partiality isn’t appealing to sponsors who are in search of potential consumers irrespective of their voting preferences.”

Swapan -2017-05-17-5Apart from that, there was scarcely any comeback from government supporters. It was quite different at the Raisina Dialogue international affairs conference in Delhi earlier in the month, where the external affairs ministry is one of the organisers.

Two people in the audience immediately stood up and objected when the government was criticised. One of them, a young lawyer and activist in the Rashtriya Swayamsevak Sangh (RSS), the arch nationalist umbrella organisation that embraces the BJP, had gone to the conference specifically to counter criticism.

Navtej Sarna, an author and a former ambassador in the US and UK, described the Jaipur festival as “the single most important part of our soft power” in 2016 when he opened an offshoot of the fest in London. Under the banner JLF, similar events are now held in Belfast, Toronto, New York, Houston, Boulder, Adelaide and Doha.

That soft power has been projected well from Jaipur, with its mix of Mughal history, colour, crowds and traffic jams. It is never a good idea to tamper with a brand that works, so a solution needs to be negotiated that keeps the event in the city with at least the base at Diggi.

A solution is also needed for the worries that Dasgupta has written about before financial sponsors retreat in droves, fearing government reprisals.

 

 

Amit Shah pushes the Hinduvta agenda too far for many people

Modi wants to transform society – and has widespread support

Narendra Modi is facing the first major test of his political leadership, and of his image of apparent invincibility, since he became India’s Bharatiya Janata Party prime minister in 2014.

His authority is still intact but, largely because of the provocative actions of his henchman, home minister Amit Shah, he is being challenged by the biggest and longest-running country-wide protests for decades.

Demonstrations dominated by the young claim that the two Hindu Nationalist politicians have gone too far with their basically anti-Muslim drive since winning an overwhelming general election victory eight months ago. At the same time, Modi has failed to manage the economy effectively and create jobs.

Muslim women protest in Delhi

The main target is an amendment to India’s citizenship laws launched in early December that discriminates against Muslims by favouring Hindus and other religions, plus an associated National Register of Citizens (NRC) promoted by Shah that could create social havoc as the minorities, the poor, and others without family documents struggle with corrupt officials to prove their rights.

Some states have refused to implement the citizenship legislation (though they may be constitutionally bound to do so), and there are rumblings of discontent among the BJP’s allies. The legislation is now being challenged in the Supreme Court.

There is a sense of a pending crisis in the country because of widespread concern and speculation about how far – and how forcefully – the Modi-Shah duo intend to go with their aim of creating a Hindu Rashtra (polity), and for how long they are prepared to be tolerant of dissent and protests.

Some critics suggest that, like populist leaders elsewhere, they welcome protests – or the prospect of them – because they can respond with repressive measures.

In Kashmir, when they cancelled the special status of the Muslim-dominated state in a constitutional coup on August 5, they imposed an unprecedented massive security shutdown with curfews, blocked internet and mobile telephones, and detention of political activists.

Internet and social media are still partially blocked, despite international protests and criticism by India’s supreme court, and leading mainstream politicians remain under a form of house arrest after almost six months.

ap_20001456451478-1

Significantly however, the change in Kashmir’s status, and the security action, has had widespread support across India, as did an earlier cancellation of the Muslim triple talaq method of instant divorce.

The citizenship legislation however went too far for large swathes of public opinion, Hindu as well as Muslim,  mainly because of the prospect of the NRC. There was extensive violence, burning of vehicles and attacks on shops that provoked tough repressive action. In Uttar Pradesh, where an extreme Hindu priest is the chief minister, there was extensive and brutal police repression, with reports of young protestors being assaulted by vigilante groups.

There are also reports of detention centres being built to accommodate those (Muslims) who fail the citizenship test, and the chief of army staff has talked publicly about de-radicalisation centres to deal with radicalised Kashmiri youth (later explained as “army goodwill schools” to avoid radicalisation) .

It is easy, as some critics have done, to relate this to China’s re-education camps that are used to stifle protests by a million Uighurs in the western province of Xinjiang, and it is equally easy to dismiss such a comparison as extreme for a democracy such as India.

Observers wonder however how far in this direction India will have moved by the time of the next general election in 2024, when Modi and Shah will want to inspire their party cadres and win votes. In last year’s elections, concern about the worsening economy was eclipsed by Modi campaigning on national security and on tough action against terror attacks emanating from Pakistan.

One contact in Mumbai even talks about the risk of “SRCC” – Strikes, Riots, Civil Commotion – being generated in order to justify clampdowns. Such extreme ideas raise memories of the two-year State of Emergency declared in 1975 by India Gandhi, then the Congress prime minister.

Modi restructuring society

Sources both within and outside the BJP suggest that Modi believes India needs an overhaul of how society works in order to meet his ambition of building a strong, successful and self-confident nation.

This would galvanise the 80% of Indians who are Hindus with a sense of nationalism, reducing the power of traditional elites (typified by the Congress Party and its Gandhi dynasty), strengthening the potential for the poor with a sense of empowerment, simplifying and improving the way that government works and impinges on people’s daily lives, and gaining respect abroad.

Shah (below) however, whose political role has escalated in recent months, seems to have little interest beyond establishing Hindu rule at the expense of minorities. There is considerable speculation about whether he and Modi are fully united and are playing a modified version of good-cop-bad cop, or whether Shah is going further than Modi would wish. What is clear is that Shah has none of Modi’s vote-pulling charisma as a populist leader.

The constructive aspect of Modi’s ambitions is rarely taken into account internationally by liberal opinion which is appalled by the seemingly anti-Muslim policies and does not appreciate that Modi is tapping into both a growing sense of national pride among aspirational youth, and a latent but easily aroused aversion to Muslims among a significant number of Hindus.

S. Jaishankar, the former top diplomat who is now the external affairs minister, has talked in Washington about a “new India” that his foreign audiences had been reluctant to recognise. “This new India is a different being, one that lives in second tier cities, and speaks and feels differently,” he said, referring without being specific to the base of Hindu nationalism.

Amit_Shah_PTIIt remains to be seen how sensitive Modi is to international criticism because he wants India to carve out its own form of society that does not conform to the west’s liberal norms.

His aim is to show off India as a successful economically strong and internationally important country, first in 2022 when it hosts the G20 conference, and then maybe the Commonwealth biennial summit in 2024 just before the general election.

Perhaps more ominously though, the Rashtriya Swayamsevak Sangh (RSS), the extreme umbrella organisation to which the BJP belongs, celebrates its 100th anniversary in 2025, which will require more Hindu nationalist-oriented achievements.

The immediate focus is how Modi and Shah handle the citizenship legislation, which Shah says will go ahead.

Then there is the bigger question about the National Register of Citizens that Shah originally said would be in place by 2024. It is currently not clear how far he will push this, but Swapan Dasgupta, an MP and prominent Modi-supporting columnist, indicates that it might not go ahead for some time.

“The architecture of any proposed register is not yet clear,” he says. “It has to be designed and there needs to be a wider understanding in society about what to do with those who are declared illegal”.

That indicates the need for a national debate on the issue, but neither Modi nor Shah have shown any interest in public debate, or tolerance of criticism which is usually rejected as being “anti national” or “pro Pakistan”. This makes people extremely cautious about what they say, even in private, for fear that someone will report back to Modi or Shah.

There is also deep dissatisfaction about the government’s focus on religion-based divisive policies while failing to arrest a decline in economic growth, which has fallen to an 11-year low of 4.5-5%, and a failure to generate jobs promised by Modi.

Prospects of a good rabi (spring) harvest indicate the decline in growth might have bottomed out and Modi is expected to spring some surprises via his unimpressive finance minister, Nirmala Sitharaman’s annual Budget speech on February 1.

BJP would not win a majority today

This is reducing support for the government. An opinion survey published in this weekend’s edition of India Today found that, if there were a general election now, the BJP’s seats in the Lok Sabha would fall from the 303 won in last year’s general elections to 271, one seat short of a simple majority. But Modi’s personal rating has only dropped slightly  by 3% to 68%.

The February 1 Budget is one of three significant dates for Modi. The second, on February 8, is the election for Delhi’s assembly, which will test the BJP’s popularity and could lead to victory for the local-based Aam Aadmi Party.

Later in February, the Supreme Court is expected to rule on the constitutionality of the citizenship legislation.

It is tempting to wonder whether it would suit Modi, if not Shah, for the court to rule against it, or at least demand some changes. That would be one way of curbing the current protests, giving Modi and Shah time to reassess what to do next.

Posted by: John Elliott | December 24, 2019

Merry Christmas!

To all of you who follow my blog, seasons greetings from Kipling Camp in Madhya Pradesh with this splendid elephant painting by a Gond tribal artist…….

use Untitled-2 copy 2

India’s economic gloom dampens sales

Sotheby’s, Saffronart and AstaGuru fail to sell top names

India’s economic woes and civil unrest appear to have had a negative effect on Indian art auctions, with three sales organised by Sotheby’s, Saffronart and AstaGuru producing unexpectedly poor results and failing to meet targets. Works on the front covers of two of the auctions failed to sell.

This is a significant setback because the artists were leading names such as Tyeb Mehta, S.H.Raza and M.F.Husain from the Bombay-based Progressives Artists’ Group of the late 1940s and 1950s, who dominates the top end of the Indian art auctions.

Gaitonde Sotheby's IMG_7484Only Pundole, a long established Mumbai gallery, has had a successful auction, which it achieved by restricting the number of lots and prices and by choosing works that have not been offered at auctions recently.

Such a slump has not been seen for some years. Part of the reason will have been India’s declining rate of economic growth, which now stands at 4.5% compared with 8% last year, and the failure of the Narendra Modi government to provide the necessary boost while at the same time driving divisive Hindu nationalist policies that are causing unrest across the country.

Sotheby’s was the first to hit problems in Mumbai on November 15 with a live auction that failed to gain momentum as the evening proceeded.

Bidding on the top lot, a 60in x 40in abstract oil on canvas by V.S.Gaitonde (above), stopped at Rs14 crore ($2m), well below an estimate believed to be around Rs21 crore. This seemed surprising, coming after a successful Rs26.9 crore ($3.79) sale, including buyer’s premium, of a Gaitonde in a Saffronart live Delhi auction in September.

The best result came for a depiction (below) by F.N.Souza of The Last Supper (a favourite subject for Indian artists) that was sold for a hammer price of Rs6.86 crore ($960,000), well above the top estimate of Rs5 crore – though there was a dispute over whether Souza was the sole artist and the sale did not go through.

Souza last supper IMG_7494

The auction’s sales totalled only Rs23.8 crore ($3.36m) compared with estimates of around Rs37 crore, and twelve of the 61 lots failed to find a buyer. That was far below the result of Sotheby’s first Mumbai auction in November last year when it notched up a total of $7.9m.

The sharp drop illustrates the vagaries of showpiece auctions in Mumbai – Christie’s withdrew from its pre-Christmas sales after a poor showing two years earlier.

Pundole came next with a live Mumbai auction on December 5. It had sensed about three months earlier that the market was weakening, so it reduced the number of lots it was offering to 40 compared with 88 in its previous sale four months earlier. Only two of the 40 had been seen in recent auctions. The prices were also lower than usual with a top estimate of Rs3 cores ($420,000) compared with four times that amount in August.

MMM Husain Pundole IMG_7482

That work, an 82in x 176in acrylic on canvas by M.F.Husain (above) titled 3Ms (Mad Onna, Mother Theresa, Mad Huri), was being sold by a member of the artist’s family so was being offered for the first time. It beat its top estimate with a hammer price of Rs3.5core, while a 38in x 23in oil on board by F.N.Souza sold for Rs3 core, double its middle estimate.

The total for the auction, with all 40 lots sold, almost doubled the estimate of Rs21.01 (Rs 24.17 crores including a 15 % Buyers Premium).

Tyeb AstaGuru IMG_7486Next came a more ambitious two-day on–line auction by Mumbai-based Saffronart, the current market leader in South Asian modern and contemporary art, that closed on December 10 with four of the top six lots failing to meet their reserve prices.

The two that did sell were both by S.H.Raza, the best being $462,000 (Rs3.23 crore), but works by M.F.Husain and Bhupen Khakhar, a currently fashionable gay artist, failed. Saffronart’s auction total was $1.8m (Rs12.66 crore) with 76% of lots sold that contrasted with previous better results.

Finally in this run of auctions, Mumbai-based AstaGuru’s two-day on line sale ended on December 20, having failed to sell its catalogue cover work, a striking 59in x 35.5in acrylic on canvas (above) from Tyeb Mehta’s Rickshaw Puller series with an estimate of Rs20 to 25 crore ($2.88m-£3.6m).

Successful bids included an unusual view of the Last Supper by M.F.Husain (below) that fetched Rs3.45 crore ($499,999). The top sale, Man in City by Akbar Padamsee, went for Rs3.62 crore ($524,999), well above the Rs2-3 crore estimate.

Husain AstaGuru last supper IMG_7493.jpgThe auction houses are hoping that these results have been caused more by over-ambitious pricing than by deeper economic or other worries, and that interest and sales will pick up at the annual India Art Fair at the end of January and then with sales in the spring.

Posted by: John Elliott | December 10, 2019

India’s government launches anti-Muslim citizenship legislation

Coincides with failure to tackle declining economic growth

Follows removal of Muslim Kashmir’s special status   

The Narendra Modi government’s relentless drive to turn India into a Hindu-dominant country has been given fresh impetus with the introduction of a parliamentary Bill that discriminates against illegal Muslim immigrants over their rights to citizenship, while favouring people from other religions.

The highly divisive Citizenship (Amendment) Bill, which is creating concern among India’s 200m Muslims about their future, was passed by the Lok Sabha late last night, having been launched earlier in the day by Amit Shah, the arch Hindu-nationalist home minister and president of the Bharatiya Janata Party.

Amit_Shah_PTIShah revealed his party’s religion-based aims and its angst about India’s history when he angrily shouted, to roars of approval from BJP MPs (left), that the Bill “would not have been needed if the Congress had not allowed partition on basis of religion” – a reference to the creation of Muslim Pakistan when India became independent in 1947 under a Congress government.

The proposed legislation follows repressive action over the past four months in Muslim-dominated Kashmir where the (widely supported) removal on August 5 of the state’s special status under Article 370 of the constitution was accompanied by a massive security clampdown that has still not completely ended.

It also follows another Hindu nationalist victory when the supreme court last month cleared the way for the construction of a Hindu temple on the highly controversial and contested site of a mosque at Ayodhya in Uttar Pradesh that was demolished in 1992.

These and other actions are revealing an authoritarian and sometimes brutal side of India, which is losing its image internationally as a tolerant, all-embracing and welcoming society. This is lowering the attractiveness of the country as a business and tourist destination and could also affect its international standing.

Focus on Hinduvta not economy

There is criticism that Modi has focussed government attention on the Hindutva political agenda, ignoring till recently the signs of a slowing growth rate. Consequently, the government failed to act early enough to arrest a decline in the country’s economic growth rate, which has slumped over the past 18 months from around 8% to 4.5%, despite recent policy initiatives. During the general election campaign, Modi diverted voters’ attention from the economy by focussing on the risks of terror attacks emanating from Pakistan.

Raghuram-Rajan-1Raghuram Rajan, a recognised international economist (left) who has become one of the government’s sternest critics since he was not reappointed in 2016 for a second term as governor of the Reserve Bank of India, attributes part of the problem to Modi’s centralised rule.

“Not just decision-making but also ideas and plans emanate from a small set of personalities around the Prime Minister…..That works well for the party’s political and social agenda….which is well laid out, and where all these individuals have domain expertise,” he wrote recently in India Today magazine.

“It works less well for economic reforms, where there is less of a coherent articulated agenda at the top, and less domain knowledge of how the economy works”.

The developing economic crisis has also brought out the authoritarian side of a government that regards any criticism as anti-national and lacking in patriotism.

Rahul Bajaj, the 81-year old doyen of India’s industrialists and the chairman of Bajaj Auto, a leading two wheeler manufacturer, was quickly rebuked by Nirmala Sitharaman, the finance minister, after he criticised the government for creating an “atmosphere of fear” that silenced critics and deterred investment.

Amith Shah, who was at the event where Bajaj was speaking, said the government was open to all views, but Sitharaman declared such public criticism, “can hurt the national interest”.

Bajaj has been known for years for his unguarded public statements and what he said would have quickly vanished from the headlines but for Sitharaman’s criticism that helped to trigger a storm of claims and counter-claims. Sitharaman was appointed after the election and is reported to take policy orders from Modi’s prime minister’s office (PMO).

National Register of Citizens

The citizenship bill provides for the creation of a National Register of Citizens (NRC). All India’s 1.3bn people having to produce documentary evidence that they are legitimate Indian citizens before the next general election due in 2024.

The fear is that the BJP would use the survey needed to set up the register to harass Muslims across India. Many of the country’s poor do not have adequate proof of their birth and ancestors, and there is a serious risk that Hindu nationalist extremists would use the legislation to create communal unrest.

The existing citizenship law prohibits illegal migrants from becoming citizens, but the new legislation would grant Indian citizenship to Hindus, Buddhists, Sikhs, Christians, Parsis and Jains who sought refuge in India before 2015 from persecution in predominantly Muslim Pakistan, Afghanistan and Bangladesh.

Opponents criticise the Bill for aiming to marginalise Muslims by breaching India’s constitutional requirement that there should be no discrimination against any citizens.

Yesterday Shah stressed the positive side of the legislation, claiming it “does justice” to the six religious minorities in the three countries by offering them sanctuary in India.

Bangladeshi “termites”

Earlier this year however he referred to Bangladeshi (Muslim) immigrants as “intruders” and “termites” and has promised that, once the national register is set up, “every infiltrator in India will be shown the door”,

The development of the legislation began earlier this year in Assam, where there were mass demonstrations yesterday because of a fear that large numbers of refugees from neighbouring Bangladesh will be allowed citizenship.

The government failed to implement the legislation before the recent general election. The Lok Sabha, parliament’s lower house, cleared the bill last night with a large majority of 311 for and 80 against. It will need backing from other parties to build a majority in the Rajya Sabha, which it will probably manage within the next couple of days.

The fate of this legislation, and the way that Shah implements it, will have a significant impact on how the Hindu nationalist agenda plays out in the next four or five years.

BOOK REVIEW

“VANNI: A family’s struggle through the Sri Lankan conflict” by Benjamin Dix and Lindsay Pollock

Benjamin Dix felt it was “a failure of the international system” when he was forced to abandon his job with the United Nations in northern Sri Lanka helping some of the thousands of Tamil people made homeless by the massive Indian Ocean tsunami of 2004.

It was July 2008, and the UN was closing down its humanitarian work in Vanni, the north eastern part of Sri Lanka, because the army’s attacks on Tamil Tiger rebels were getting too close for it to guarantee the safety of its staff.

Vanni front cover“It was the abandonment of the people screaming at my office gates, people I’d got to know, that was the trauma,” says Dix. He went on to work in the Sudan after the liberation movement’s victory in 2005, but the trauma lasted for several years.

This has led him to produce a graphic novel, VANNI: A family’s struggle through the Sri Lankan conflict, which covers the human horrors of the tsunami and the stories of people caught in conflict at the end of the island’s civil war in 2009, with tens of thousands homeless and dead.

The book has just been published in India as well as the UK and US – see below for links – and a Tamil edition is envisaged for Sri Lanka.

Since 2012, Dix has run Positive Negatives, a not-for-profit organisation based at SOAS in London University, that uses the graphic novel cartoon strip approach to produce literary comics, animations and podcasts about social and humanitarian issues. “We combine ethnographic research with illustration, adapting personal testimonies and academic work into art, education and advocacy materials,” he says. “PhDs get excited about finding audiences for their work”.

Vanni family copy

The main family, the Ramachandrans, and their neighbours the Chologars before they were hit by the 2004 tsunami and rebel war

Projects have included some 50 stories viewed by more than 90m people such as a Syrian’s journey escaping to Europe as well as other refugee experiences.

Now there is a £20m commission from the UK’s Department for International Development (DFID) to track various population migrations across the world. Also planned is a film for illiterates explaining how to fill in often bewildering consent forms.

Graphic novels recount horrific events in a way that prevents a reader’s attention being turned off by, for example, a whole page depiction of Tamil refugees being blown up by a bomb explosion, or a mother crying “let me grieve my son” as rockets hail down on her camp.

Such violence in the cartoons does not repel people to anywhere near the same degree as photos or a film, so they keep reading. It is also much more attention-grabbing than mere text and a few photos, and it makes the subjects feel more secure when they are being interviewed.

PTSD

“It’s very difficult to absorb people’s pain, but converting it into pictures means you don’t need to intrude into people’s privacy,” says Lindsay Pollock, Dix’s co-author who has drawn minutely detailed pictures across 250 pages of the book.

Pollock’s drawings bring to life the horrors of the attacks, and the fear and panic of civilians as they run with their belongings in search of safety. He depicts young men being made to kneel before they are shot, and of a young woman being raped. People drown in rivers, are crushed by collapsing buildings, and are blown apart by bomb blasts.

The idea of Vanni started in Dix’s mind when he left Sri Lanka and later took off as a PhD project. “It grew into a long story and morphed and could have continued to grow, but we needed it to be finished for the 10th anniversary of the war,”says Dix, who initially thought that the seven-year project, part-funded by a £30,000 Arts Council England grant, would be done in six months.

Hispital sheeled

a hospital bombed

His PhD thesis dealt with “how to take traumatic testimony and turn it into sequential art”, which Vanni does, dramatically.

It tells the story of a fictitious family, the Ramachandrans, and their neighbours the Chologars. They live in Chempiyanpattu, a small village on the northern Sri Lankan coast in the Tamil Tiger controlled area known as Vanni. First their homes are swept away by the tsunami and then their lives are threatened by the growing Sri Lankan assaults on the rebel Liberation Tigers of Tamil Eelam(LTTE).

Together there are twelve adults and children in the two families, but by the end many have been lost or killed, reflecting the plight of 300,000 refugees, some 70,000 who died (according to the UN), and 140,000 who went missing (testified by the Catholic Bishop of Mannar).

Dix calls the book “non fiction fiction” because it recounts real life experiences fictionalised into the stories of the Ramachandrans, Chologars and others. With Pollock, he travelled by motorbike through Tamil Nadu meeting families. Pollock studied and sketched Tamil features and homes for use in his extremely detailed pictures.

12-Vanni 4 killing

They avoided going to Sri Lanka because they did not want to draw the government’s and security agencies’ attention to people they interviewed. They met Tamil refugees in Geneva, the UK and elsewhere – the 600,00-800,000 diaspora created by the disasters is spread across the world. Dix draws on stories from the time he was living in Vanni, and they studied official reports and talked to experts.

It is clear from the start of the book that the Tamil rebellion, which started in a major way in 1983, is deeply engrained into peoples’ lives. The father of the Ramachandran family had been killed in July 1983 riots in Colombo and a picture of Velupillai Prabhakaran, the Tamil Tigers’ leader, hangs ominously in pride of place on the wall of their home.

There is strong community support for the Tigers and, though they are also feared, there is peer pressure to be recruited and get involved. Young men who return from the rebel front lines in uniform are admired in the village, especially by younger relatives who want to be part of the glory, even though parents fear they will be killed.

Refugees driven on - from net“Our stolen Tamil land will be redeemed by our troops – Sea Tigers riding on the sea waves – We are uncontrollable human spinning bombs,” says Jagajeet, one of the Chologar’s sons, as he dons his Tiger uniform. Soon after, he steps on a land mine and loses a leg, the first of many casualties as the story unfolds, gradually revealing the hopelessness of Jagajeet’s dreams.

Ben and Lindsay

Benjamin Dix and Lindsay Pollock at the book launch in London, relieved a seven-year project is complete

To begin with, there is hope that cease-fire talks would resolve the Tamils’ demands for more regional autonomy in the Sinhalese-dominated island.

Then disaster strikes in the form of a new Sri Lanka’s hard line president, Mahinda Rajapaksa, and his brother, Nandasena Gotabaya Rajapaksa, the defence minister (who is a candidate in presidential elections in November).

The Rajapaksas opposed the peace process and eventually drove thousands of Tamils to their death in alleged “no fire zones” that were heavily shelled. Their aim was to ensure that every Tamil Tiger was killed, even though that meant the death of thousands of civilians.

That is the story told in this book. The pictures and the narrative are so graphic that readers will not be able to forget what they have seen and read. That of course is Dix’s aim, and he has succeeded.

Publishers 2019 (paperback):

UK: New Internationalist, London £16.99 ISBN 978-1-78026-515-5 https://newint.org/books/new-internationalist/vanni

USA: Penn State University Press $19.95 ISBN 978-0-271-08497-8 https://www.psupress.org/books/titles/978-0-271-08497-8.html

India: Penguin Random House Rs799 ISBN 13 9780143449713 https://penguin.co.in/book/graphic-novel/vanni/

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